1.
What happens to writers when they are
encouraged to use mentor texts?
2.
How can I incorporate and use mentor texts in writer’s
workshop to effectively help my writers?
3.
How can I teach my
students to find mentor texts and really “read like a writer” as Katie Wood Ray
would say?
4.
How do I begin to set
up my collection of mentor texts so that my students and I can all immerse
ourselves in “studying writers’ office work?”
5.
Readers workshop
coupled with mentor texts
This year one of my most prolific writers has frequently
discussed her process and enthusiasm for writing with our class. She loves to write and when I talked about
borrowing ideas, words and structures from writers she shared just how she was
able to do just that on multiple projects.
This particular student has told me that she plans on getting publicly
recognized as a published author before she gets to high school. She has really taken the idea of a “mentor
text” and sailed with it. When we went
to write our “All-About-Books” Cynthia successfully noted what other authors
had done to write a similar style or structure about another topic other than
her own. She explicitly told the class
what she was doing. She noted the
creative catchy language used in the table of contents and attempted to do the
same in her book. She noted the use of
captions and types of print to add meaning or attention to different parts in
the book and used a similar structure in her own book. Cynthia was so proud of herself for being
able to effectively use this mentor text.
My lesson had made sense to her.
I was thrilled! She often talks about the mentor texts she is
using. She just used another mentor text
to write a poem about her grandmother which was published in a children’s
magazine and she won a public speaking award for when she presented it. The
poem she had written used repetitive language throughout that was effective and
lasting. Cynthia is a writer who uses
mentor texts frequently and effectively.
I want all of my students to dive in deep with mentor texts. After our mini lessons students often seem
eager to try out whatever it is we talked about, but when it comes time to
write, I often do not see a strong correlation to the mentor texts we have
investigated. How can I help my writers
use mentor texts effectively as Cynthia now does regularly?
This is the first year
I have really understood what a writer’s workshop entails and the many
components to a successful workshop. I
believe one way to strengthen my practice and writer’s workshop is to
effectively use mentor texts across multiple genres. My collection begins here. How shall I organize them? How do I pull out the just right text? What can I try to strengthen student’s use of
mentor texts to further help them as they grow as writers?
THE PROCESS: Discussing
the craft, use readers workshop
THE DATA: create a
binder of mentor texts by category student writing samples, student surveys,
student interviews, craft, talk to Jolyn Asato, compare samples from this year
to next
POSSIBLE THEMES: Reciprocity of reading and writing, Workshop Model, ELL’s and mentor texts
Possible mentor text
categories: Structures and Ways with words, i.e: about the author, non
fiction all-about books, alliteration, personification, rhyme, characterization, what
makes a story good, pattern, letter, writing, all-about-books, zoom box, nonfiction
text features, sparkly words, great introductions / conclusions, narratives / memoirs, How-To books
I hope I am on the right track....Sheridan
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